共同海损

37 º 28.6'S N 0 º 3.8'S E. A small inflatable boat was filled with people, one of whom was waving. The camera slowly pans to the right, showing tourists gazing at the sea on the cruise ship. The camera moves backwards, touches the ship again, and then pans left to the other side of the ship. The refracted sunlight dyed it into color, and a vertical light separated the ship from it. The camera now returns to the ship. Sometimes images may become blurry; A ghostly reflection appeared in the water. At the same time, the following news was heard: rescue personnel requested to wait for the helicopter to arrive via radio. A woman is on the phone with her husband in Algeria in France. Later, he talked about a journey. Irish tourists holding cameras, ship employees, Russian and Ukrainian freight workers discussed their experiences with this (or another) refugee ship. And their world. During the filming of this movie, the images transcended reality. Havarie responds to this by concentrating sound and separating it from images, creating a perceptual space for the audience to experience their position without losing sight of the current theme: this is a truly radical film coup. berlinale 2016